Los jibaros eddie palmieri biography

Born Edward Palmieri, December 15, 1936, in East Harlem, NY; elevated in the South Bronx; girl of an electrician/luncheonette owner dowel a seamstress; married; wife's title, Iraida; children: five. Addresses: Create company--Elektra/Nonesuch, 75 Rockefeller Plaza, Virgin York, NY 10019. Publicity--Maria Echeverria, D.

L. Media, 155 Heritage. 23rd St., Suite 607, New-found York, NY 10010.

Eddie Palmieri, very known as "The Latin Helios King," is a vital potency in Latin music's Afro-Caribbean gewgaw movement and vibrant, drum-anchored improvisational salsa. Palmieri is often credited with creating modern salsa music--a hybrid of rhythm and depression, jazz, and rock `n' roll; his band La Perfecta careful the lively sound of Indweller New York in the Decade.

But he told New Dynasty Latino contributor Larry Birnbaum: "We have to eliminate the huddle salsa.... It's Afro-Caribbean music. Musicians have been playing this group of music in America edify more than fifty years-- at any time since a Cuban drummer baptized Chano Pozo turned Dizzy Gillespie's whole orchestra around in 1947."

Having garnered five Grammy Awards 'tween 1975 and 1994, Palmieri has fought tirelessly to bring thanksgiving thanks to to Latin and Afro-Caribbean sonata.

He was appointed to illustriousness board of governors of distinction New York chapter of ethics National Association of Recording Study & Sciences (NARAS) in 1993. In addition, Palmieri has bent instrumental in expanding the safeguard of Latin music at decency Grammy Awards. He helped school the Latin/African-Caribbean Jazz category, glance in 1995.

Palmieri was born burst New York City's East Harlem section in 1936.

He was raised in the South Borough, where his father, an linesman by trade, ran a luncheonette called El Mambo. Palmieri's make somebody be quiet, a seamstress, believed that penalty was an important part chastisement a child's education, so Palmieri began taking piano lessons strict the age of eight, masses in his older brother Charlie's footsteps.

But his true warmth was reserved for percussion.

"I force a percussionist," Palmieri told Town Dispatch contributor Bill Eichenberger. "[I] work with complex African beating patterns that are centuries beat up. The intriguing thing for out of this world is to layer jazz phrasings and harmony on top run through those patterns." Percussionist Tito Puente was Palmieri's greatest influence gain idol, along with Tito Rodriguez and the Machito Orchestra, who gained popularity in the 1940s.

At the age of thirteen, Palmieri played timbales in Chino pawky sus Almas Tropicales, a necessitate led by his uncle.

Virgin York City was exploding pertain to Afro-Cuban dance music at nobility time. The blending of mambo and cha-cha rhythms with R&B, jazz, and rock gave outset to what would eventually tweak called "salsa." In 1951 Palmieri switched from timbales to softness and founded a nine-piece set with singer Joe Quijano. Twosome years later, Palmieri--not yet 20 years old- -replaced his sibling Charlie as a pianist crumble Johnny Segui's band.

Then, deduct 1958, he joined Tito Rodriguez's mambo orchestra.

Palmieri organized his rule band, La Perfecta, in 1961, when he was just 25. Around the same time, significant acquired the nickname "Pancho Rompeteclas," meaning "Jack the keyboards-buster." Latitude Perfecta altered the course show signs of Latin dance music by calculation trombones to the brass municipal of the traditional "conjunto" diagram.

Critics were stunned by that new "trombanga" line, which replaced traditional trumpets. Barry Rogers unacceptable Jose Rodriguez played trombones greet La Perfecta, which came toady to be known as "the guests of the crazy roaring elephants." Their trombone sound was far imitated within the realm reproach salsa music, and the original innovation established Palmieri as calligraphic serious new artist.

La Perfecta attacked four sets a night power New York City's Palladium, span nights a week, for $72 per musician in the originally 1960s.

The engagement lasted luggage compartment five years, until the baton closed in 1966. Palmieri with the addition of La Perfecta recorded El Sonido Nuevo in 1966, featuring Classical jazz vibraphonist Cal Tjader. Mocker bandmembers included Manny Oquendo (timbales), Tommy Lopez (congas), Barry Dancer (trombone), George Castro (flute), lecturer Ishmael Quintana (vocals).

"Manny disintegration the one I ... wellinformed my Cuban music from. Wild could never thank him liberal for that," Palmieri told Birnbaum.

Palmieri's 1962 album El Molestoso ("The Bothersome One"), was titled remit recognition of his reputation gorilla a person willing to dupe heads in order to fill a vision or retain top creativity.

Mambo con Conga pay packet Mozambique, released three years closest, was never heard by nigh Americans because major radio post deemed it too "communist" of great magnitude nature and refused to throw it. Palmieri recorded the medium to pay a homage other than Latin music's Afro- Cuban clan and rhythms.

La Perfecta disbanded make a fuss 1968, and Palmieri went contract to record civil rights anthems and "boogaloos" with the goal Harlem River Drive, fusing empress Afro-Caribbean sound with rhythm squeeze blues.

When the salsa drive gained momentum in the entirely 1970s, Palmieri turned his care again to Latin tracks extort recorded Vamonos Pa'l Monte inactive his brother Charlie on significance organ and Chocolate Armenteros divorce the trumpet.

In 1973 Palmieri standard an assignment from Fania Documents to record an album let fall Cheo Feliciano called Champagne.

Of course flew to Puerto Rico be required to work on the album on the contrary still needed to find efficient vocalist. He eventually discovered a- young singer named Lalo Rodriguez, who would appear on blot albums as well. Palmieri followed Vamonos Pa'l Monte and Fizzy with The Sun of Inhabitant Music, featuring Rodriguez on vocals.

In 1975 Palmieri won circlet first of five Grammy Commendation for best Latin album. Straighten up year later, he won smart Grammy for Unfinished Masterpiece.

Palmieri exhausted five years in Puerto Law in the early 1980s. Salsa's popularity was waning in Newborn York City at the pause, and Palmieri's brother had receive a heart attack.

Palmieri went to Puerto Rico to entitlement care of his ailing surliness. There he formed a faction called the Eddie Palmieri Belt, recorded Palo Pa' Rumba withdraw 1983, Solito in 1984, most important La Verdad in 1987, bracket won three Grammy awards--one mind each album. But working slip in Puerto Rico was stressful lead to Palmieri.

"I felt completely harassed over there," he told Birnbaum. "I tried to get spruce helping hand from the orchestras in Puerto Rico, but Side-splitting just frightened them away.... Ask over was quite difficult. We were hurting for employment.... [The neighbourhood musicians] wouldn't allow me in."

After returning to New York Expertise in the late 1980s, Palmieri recorded Sueno in 1989 ejection Intuition, a German record give a ring, as well as Llego socket India for Soho Sounds.

In the near future after, he signed with Nonsuch Records, a label noted championing classical music rather than Denizen or jazz recordings. In dignity mid-1990s Palmieri was at outmoded on a project that requisite to weave Afro-Caribbean rhythms demeanour the classical compositions of Johann Sebastian Bach and Ludwig machine Beethoven.

In 1994 he out Palmas. Palmieri told Down Bash contributor Howard Mandel: "Palmas sets a precedent for how squeeze extend jazz into the ultimate incredible rhythmic patterns, the virtually exciting in the world, 40,000 years old!"

Brian de Palma's 1993 film, Carlito's Way, starring Radio alarm Pacino, featured Palmieri's hit celibate Muneca. The track Puerto Law was included in Spike Lee's Crooklyn soundtrack the next generation.

Palmieri also contributed to Breakage the Silence, a 1994 gramophone record about HIV and AIDS established at women in the Emotional community.

In his long, prolific vocation as a percussionist, pianist, founder, and orchestra leader, Palmieri acted upon with an extensive list panic about masterful jazz and salsa musicians. Alto saxophonist Donald Harrison uttered Mandel: "One thing I warmth about Eddie is his selfsufficient spirit.

He goes for nobility music and listens to grandeur musicians, the same way Cover Blakey did, and of compass, Duke Ellington, too."

by B. Kimberly Taylor

Eddie Palmieri's Career

Began effectuation piano and timbales at winner eight; played timbales with Material y sus Almas Tropicales (a band led by his uncle), 1949; switched to piano, 1951, and founded a nine-piece status with singer Joe Quijano; replaced his brother, Charlie, as neat as a pin pianist in Johnny Segui's band together, 1955; joined Tito Rodriguez's mambo orchestra, 1958; organized first could do with, La Perfecta, 1961, and transcribed self-titled debut album; band studied New York City's Palladium make five years; bandmembers included Manny Oquendo (timbales), Tommy Lopez (congas), Barry Rogers (trombone), George Socialist (flute), and Ishmael Quintana (vocals).

La Perfecta disbanded, 1968; Palmieri recorded civil rights anthems talented "boogaloos" with Harlem River Drive; formed Eddie Palmieri Orchestra foresee Puerto Rico, early 1980s; exchanged to New York City, fit together 1980s; recorded Sueno, Intuition, post Llego la India, Soho Sounds, both 1989; signed with Ideal Records; released Palmas, 1994; unbidden to Breaking the Silence, precise video about HIV and Immunodeficiency aimed at women in interpretation Latin community, 1994; host misplace lecture/performance The Evolution of birth Afro-Caribbean Rhythm Section, 1994.

Eddie Palmieri's Awards

Grammy Award for best Italic album, 1975, for The of Latin Music; 1976, untainted Unfinished Masterpiece; 1983, for Palo Pa' Rumba; 1984, for Solito; and 1987, for La Verdad; voted "beyond artist of righteousness year" in a Down With it critics' poll, 1995.

Famous Works

• Selective Works
• La Perfecta, Alegre, 1961.
• El Molestoso, Alegre, 1962.
• Echando Pa' Lante, Tico, 1963.
• Mambo con Conga es Mozambique, Tico, 1965.
• Palmieri & Tjader: El Sonido Nuevo, Verve, 1966.
• Molasses, Tico, 1967.
• Palmieri & Tjader: Bamboleate, Tico, 1969.
• Champagne, Tico, 1973.
• Justicia, Tico, 1973.
• Harlem Current Drive, Roulette, 1974.
• Vamonos Pa'l Cards, Tico, 1974.
• Sentido, Coco, 1974.
• The Bask of Latin Music, Coco, 1975.
• Unfinished Masterpiece, Coco, 1976.
• Lucumi Macumba Fetich, Epic, 1977.
• Eddie Palmieri, Barbaro, 1981.
• Palo Pa' Rumba, Musica Latina, 1983.
• Solito, Musica Latina, 1984.
• La Verdad, Sonido, 1987.
• Sueno, Intuition, 1989.
• Llego la Bharat via Eddie Palmieri, Soho Sounds, 1989.
• (Contributor) Carlito's Way (soundtrack), 1993.
• (Contributor) Crooklyn (soundtrack), 1994.
• Palmas, Elektra/Nonesuch, 1994.

Recent Updates

February 8, 2006: Palmieri won the Grammy Award for first Latin jazz album for Listen Here!.Source: Grammy.com, http://grammy.com/GRAMMY_Awards/Annual_Show/48_nominees.aspx, February 9, 2006.

Further Reading

Sources

• Billboard, April 23, 1994.
• Cal Performances (University of Calif.

  at Berkeley), 1993-94 season.

• Metropolis Dispatch, July 23, 1992.
• Reporters Beat, August 1994.
• Elle, Sep 1989.
• JazzTimes, October 1994.
• Minstrel, July 1994.
• New York Latino, spring 1994.