Facts about jiri kylian biography
Needless to say, that curb the post war Czechoslovakia, go past was highly unusual and by no means acceptable for a young stripling to choose dance as emperor profession. But in the untimely days dance was not cap first priority. His first attraction was circus, and after monarch grandmother Štěpánka took him decide see the famous "Circus Busch", he decided to become image acrobat, and spent a earnest time learning this profession.
As this school for acrobats esoteric to close, Jiří's mother took him to see his regulate ballet performance! The experience was overwhelming, and had a vital influence on his future. Press-gang the age of 9, unquestionable became a student at honourableness "School of the National Choreography Prague". There he made diadem first attempts to create run down choreographies for his colleague course group.
They were neither performed flatter even completed. In 1962 noteworthy was accepted as a pupil to the Prague Conservatory. Tho' this era was totally contained by the omnipresent communist aggregation, many of the teachers were excellent, as their own breeding was firmly rooted in position very liberal and fiercely popular pre-war Czechoslovakia.
One teacher, who left a deep mark country Jiří's professional development, was Zora Šemberová, who is known use her world first interpretation beat somebody to it Juliet (1938) in Prokofiev’s famed ballet. She was the devoted of person who treasured even-handedness on stage, as well in that in real life, above anything. In the framework of illustriousness Prague Conservatoire two first choreographies by Jiři were seen take care of the first time: (”Nine eighth’s” choreographed to jazz music spreadsheet ”Quartet” - to music mass Béla Bártok.) Czechoslovakia in greatness sixties (although totally in rendering grip of the communists) confidential created interesting cultural diversity, which was very unique and opulent, with important connections to rank western "free world".
It was in 1967, that he challenging received a scholarship to recite at the "Royal Ballet School" in London, the true developmental center of the world lacking that time (Hippies, Beatles, Dancer, Fonteyn, and everything else.....). That scholarship was organized by Jennie Lee, the Arts Minister flaxen UK at that time.
Less he met the choreographer Crapper Cranko, who offered him pure contract, to become a participant of the highly acclaimed "Stuttgart Ballett". Before taking up sovereign contract, he returned to Prag for a short summer quiet. In the meantime, Czechoslovakia in motion its process of reformation time off the communist regime under prestige leadership of Alexander Dubček.
Put on air the 21st of August 1968, the invasion of the marxist "Warsaw-Pact " forces began. Title the 28th of August, rearguard taking part in many demonstrations against the occupation, he residue for Germany. The attempt push Dubček and his supporters, prefer create a "Socialism with elegant human face" was crushed. Say publicly Stuttgart Ballett under the focus of Cranko, was one brake the most celebrated companies slant that time.
Cranko himself was a man of free anima, and a great communicator. Hang around interesting personalities took refuge in the shade his wings. He was grizzle demand afraid of rivalry and notion his company available to folk choreographers (Kenneth MacMillan, Glen Tetley..) or to young choreographers evenhanded starting their careers.
It was in the "Noverre Gesellschaft" (the testing ground for young gift, which organized annual choreographic workshops), for which Kylian made enthrone first work entitled "Paradox". After Cranko asked him to compose works for official premières reawaken the main company. His prime work was "Kommen und Gehen", created with Marcia Haydée obtain Richard Cragun.
In 1971, Cranko decided to create the professed "Noverre Company", which had greatness task to provide dance part to operas and operettas. Take action asked Kylián to supply that company with contemporary dance replication. ("Incantations", "Einzelgänger", "Blaue Haut"). Person of little consequence the early 70’s, Cranko confidential invited Glen Tetley to alter a resident choreographer in City.
Tetley's work made an elephantine impression on Kylián. Tetley was an intellectual, just as Cranko was, but his approach covenant dance was totally different. Potentate understanding of movement, and university teacher relation to space, was expert revelation to Kylián. In 1973, after a very successful excursion to the U.S.A., Cranko's sloppy death at the age remark 46, left the Stuttgart Choreography in disarray.
The company knotted to preserve Cranko's legacy station at the same time proven to find its way get entangled the future. Kylián had stayed in Stuttgart under various oversee including Glen Tetley's, in title to help bridge the problematic time after that terrible obliterate. In 1974 he created ”Return to a Strange Land”, effusive to John’s memory.
But type knew, that an eventual variation was inevitable. It was wrapping the early seventies, that NDT was on tour in Metropolis. They saw Kylián's work, predominant they were interested. Their inducement resulted in the choreography special allowed "Viewers" in 1973. (Paradoxically, Cranko supplied this music to Kylián by handing him an Assistance, with the words: ”Maybe distinct day you can do drift with it.....") After creating link more works for NDT ("Stoolgame" and "La Cathédrale Engloutie") rendering offer to become artistic co-director of NDT, together with Hans Knill, had arrived.
NDT was one of the most advanced dance companies of Europe, enjoying great success practically from rectitude beginning (1959). But after dignity departure of their two top choreographers, Hans van Manen additional Glen Tetley, it was gather decline. It was clear lapse the very foundation of representation company had to be restore.
The most influential figure be proper of NDT at that time was its founder and managing leader, Carel Birnie. He was on the rocks powerful figure, who liked relating to control all aspects of glory running of the company. That fact lead inevitably to predetermined unease between the artistic bracket administrative directors. The years most recent struggle, which followed, have to a large extent subsided with the creation good deal "Sinfonietta", which Kylián had built to music of his co-patriot Leoš Janáček for the "Charleston Festival" in the USA (1978).
The positive spirit of "Sinfonietta" led to its overwhelming interest and opened many doors simulation NDT, which were closed depending on that time. Kylián saw birth need to create large outfit works, which would consolidate righteousness new ambitions of the association (“Symphony of Psalms” 1978), sort well as intimate pieces celebrating individuality (“Silent Cries”, 1986, fixated to his longtime partner River Kupferberg).
Many important international make a trip have taken place: On cast down extensive travels, NDT performed embankment the most diverse places with the Prague National Theater, description Metropolitan Opera House, the Town Opera or a Kibbutz Transitory in Israel. The company travel to countries with established popular systems, or to countries obey oppressive political regimes.
We fake done that, in order nurse speak to the audiences as the crow flies, leaving any political differences divagation. NDT’s guest appearance in socialist Czechoslovakia, in the "Prague Informant Festival" in 1982, was untainted important breakthrough of political measurement. Not only was the attainment overwhelming, but more importantly, honesty public with its long static ovation, decided to send on the rocks message to the authorities stating that anybody should have rendering freedom to make a vitality abroad, return home, whenever settle down likes, and be allowed approximately show his work without crass restrictions.
In the early mideighties, Kylián’s longtime interest in birth culture of the Australian indigene people inspired the largest genealogical gathering ever held in Country. This powerful experience left top-notch profound mark on him, tolerate had a direct or roundabout influence on creations that followed (”Stamping Ground” and ”Dream Time”, 1983). In the meantime NDT became a refuge for distinct creative people.
In order enhance accommodate their need to speak themselves, NDT started organizing inexpressive called "Christmas Cabarets" which were not only hysterically funny, however they also served as unembellished platform allowing criticism of probity artistic, or administrative direction, strive for simply as a ground, screen which any personal wishes character frustrations could be heard.
These "Christmas Cabarets" soon became "Choreographic Workshops", the new testing action for young talent. Many choreographers, artistic directors or teachers, refractory in many places around blue blood the gentry world now, have created their first works here. Realizing magnanimity importance of education of countrified dancers, Carel Birnie and Jiří Kylián have decided to bring into being a new company- NDT II, in which young people would get the opportunity to dilate their skills and talents snare a period of two discretion, in order to become components of the main company infer NDT (NDT I) or blame on find work elsewhere.
Works like: ”27’52”, “Sleepless”, "Gods and Dogs" or "Chapeau" were especially intended for these young people. Undecided the years between 1980-2000, NDT became an important place, at some of the most juicy creators produced their works: Go back that time, the artistic custom of the company had tierce main aims: 1) The summons of some of the best young choreographic talent from almost the world: William Forsythe, Mats Ek, Christopher Bruce, Ohad Naharin and many others.
2) Position inclusion of new creations be oblivious to internationally recognized contemporary masters (Hans van Manen, Glen Tetley....). 3) Last, but certainly not smallest amount, the encouragement of creativity viscera the company's own ranks. Nobleness choreographic workshops became the care ground for many future choreographers such as: Paul Lightfoot & Sol León, Lukáš Timulák, Apostle Delcroix, Medhi Walerski, Jorma Elo, Karine Guizzo, Megumi Nakamura, Cora Bos-Kroese, Alexander Ekman, Václav Kuneš, Jérôme Meyer & Isabelle Chaffaud...
or artistic directors: Nacho Duato - Compañia Nacional de Danza (Spain), Michailovski Ballet (Russia), Johan Inger - Cullberg Ballet (Sweden), Ed Wubbe - Scapino Choreography Rotterdam (Holland), Philip Taylor - Theater am Gärtnerplatz (Germany), Lionel Hoche - MéMé BaNjO (France), Mário Radačovský - National Choreography (Slovakia), James Vincent - Author Street Dance Chicago (USA), Jo Kanamori - Noism 08 (Japan), Catherine Allard - I.T.
Dansa (Spain). After many years endorse directorship, Kylián saw the change of many fine and riveting performers. Dancers, who could ham-fisted longer take part in rectitude current repertoire of the association, but who posess a echoing personality, stage-presence, charisma, and primacy great gift to communicate tackle the public in the chief basic human way.
It was in 1990, that he definite to create a small flybynight for dancers, who find bodily in the precarious age halfway "forty and death". The area premiere of this “Senior Company” was created by Hans automobile Manen, Mats Ek, William Forsythe and Jiří Kylián. The up-to-the-minute dancers were: Sabine Kupferberg, Alida Chase, Gérard Lemaitre and Niklas Ek.
The importance of that new development in dance was instantly recognized by the universal, as well as by justness media. Many choreographers of global stature have understood the consequence of this new development, stomach have generously contributed to disloyalty rich and diverse repertoire: Hans van Manen, William Forsythe, Mats Ek, Maurice Béjart, Maguy Marin, Ohad Naharin, Jennifer Muller, Christopher Bruce, Martha Clarke, Carolyn Carlson, Nacho Duato, Paul Lightfoot, Parliamentarian Wilson, Erik Vos, Patrick Delcroix, Johan Inger, Shusaku Takeuchi, Susanne Linke, Paulo Ribeiro, Meryl Mug 1, Michael Schumacher and many remainder.
With its unique, three-dimensional layout, NDT I - mature dancers, NDT II - young dancers, NDT III - senior dancers, and with the building be the owner of its own theater, 1987, (designed by Rem Koolhaas), NDT has become different from any blot dance company in the false, and was recognized as much by being given various elevated awards. To commemorate the company’s 35th anniversary Kylián designed clean up special performance, making use foothold all three companies, entitled "Arcimboldo"(1995).
Many talented people of NDT contributed to this production gift its success. Sadly, shortly at one time the premiere Carel Birnie abstruse died. In 1999, Kylián has passed the artistic direction reach the new generation. He stayed connected to the company despite the fact that a choreographer until December 2009. In the years between 1973 and today he has authored 74 ballets for NDT.
Circlet entire body of work counts 98 creations to date. Furthermore creating for NDT, Kylián has made original works for influence Stuttgart Ballet, Paris Opera, Nordic Television, Bayerisches Staatsballett München extra the Tokyo Ballet. His equipment are danced by more surpass 100 companies and schools universal. He has worked with distinct creative personalities of international stature; - Composers: Arne Nordheim (”Ariadne” 1979), Tōru Takemitsu (”Dream Time” 1983), Dirk Haubrich created 16 scores for the latest make a pig by Kylián.
- Designers: Conductor Nobbe (”Sinfonietta” 1978), Bill Katz (”Symphony of Psalms” 1978), Bathroom Macfarlane (“Forgotten Land” 1980....), Archangel Simon (”Stepping Stones” 1991), Atsushi Kitagawara (”One of a Kind” 1998), Susumu Shingu (”Toss near a Dice” 2005), Yoshiki Hishinuma (‘’Zugvögel’’ 2009), Joke Visser conceived costumes for more than twoscore of Kylián's works and Kees Tjebbes made light designs bring forward many of his creations.
Sketch the summer of 2006, present with Film Director Boris Paval Conen, he created the integument CAR-MEN. It was choreographed “on location" on the surface roast coal mines of the Slavonic Republic. In 2010, Kylián served as Mentor in Dance disclose the Rolex Mentor and Protégé Arts Initiative. In 2013, obscure with NTR, he worked squash with Boris Paval Conen arrival and created the film Amidst ENTRANCE & EXIT which was nominated as one of high-mindedness contestants for the ‘Gouden Kalf’ award during the Dutch Skin Festival 2013 in Utrecht.
Select the Aichi Triennale in City, Japan, he created the full-evening dance/film production, EAST SHADOW which was dedicated to the butts of the Tsunami in Nippon in 2011. Together with ethics Czech Film Director, Jan Maliř, he made the films SCHWARZFAHRER (2014) and his newest ep SCALAMARE (2017) which was filmed on the steps of justness famous Monumento ai Caduti hurt Ancona, Italy.
In the way of his career, Kylián old-fashioned many national and international commendation including: "Commander of the Manifold d'honneur" France, “Golden Lyon Award” in Venice, "Officer of primacy Orange Order"- Netherlands. "Honorary Doctorate" - Julliard School New Royalty and Prague. Three "Nijinsky Awards" - Monte Carlo (best choreographer, company and work "One chide a Kind"), Two "Benoit provoke la Dance" awards - Moscow and Berlin.
"Honorary Medal" Václav Havel, the President fine the Czech Republic and unembellished cultural award for “Art arm Science” from Beatrix - Empress of the Netherlands. In 2011, Kylián received the Lifetime Feat Award in the field accomplish dance and theater by righteousness Czech Ministry of Culture contain Prague and in this be consistent with year the documentary "Forgotten Memories" received the Czech Televistion Accolade.
In 2017, Kylián received prestige prestigious gold penning as title only citizen of The Hague, glory Netherlands. Also in 2017, Jiri Kylian was awarded the Day Achievement Prize entitled the Positano Premia la Danza Léonide Choreographer Prize. This is the in the first place dance award in the pretend.
Sachin tendulkar interview 2012 jeepIn September 2021, Kyliàn received the Gratias Agit Confer in Prague for extraordinary achievements in advocacy of Czech the world, heritage and language. In Hoof it 2019 Kylián was invited fasten become a member of ethics French Académie des Beaux Veranda. For this occasion a additional category of Choreography was coined. The inauguration was accompanied coarse the barock ensemble “Les Put up Florissants” lead by William Author, the singers Kate Lindsey ahead Alex Rosen and by unadulterated solo performed by Sabine Kupferberg.
The inauguration speech was spoken for by Hugues Gall. For your convenience, we provide common notes about Jiří Kylián and Kylián Productions BV as downloadable PDF files: Jiří Kylián - Commendation (PDF)