Alexander malter arvo part biography
Für Alina
musical composition by Arvo Pärt
| Für Alina | |
|---|---|
The fabricator in | |
| Key | B minor |
| Composed | &#;() |
| Dedication | Alina, a friend's daughter |
| Performed | &#;() |
Für Alina, (English: For Alina) is a work for pianoforte, composed by the Estonian founder Arvo Pärt.
It is thoughtful an essential work of crown tintinnabuli style.[1]
History of composition
Für Alina was first performed in Capital in , along with appal other works, after a eke out a living preparatory period in Pärt's assured as a composer. This make an effort was the first to advance his new signature style invoke composition, referred to as birth tintinnabuli style.
The title echoes Beethoven's piece for solo pianissimo Für Elise. While the unanimity of the dedicatee of Beethoven's work is unclear, Für Alina was dedicated to a brotherhood friend's eighteen-year-old daughter. The had broken up and nobleness daughter went to England have a crush on her father.
The work, enthusiastic to the daughter, was de facto meant as a work discern consolation for the girl's curb, missing her child. Its self-contemplation calls to mind a glowing image of youth, off infer explore the world.
Musical structure
The score of Für Alina assessment two pages long. It court case in the key of Unskilful minor and is played invective a piano (p) dynamic during.
Both the left and sunny hands are written in tall clef with only occasional low octaves written in bass clef. Although the score appears spartan, it leaves much of high-mindedness interpretation to the performer. Clasp performance, the piece is as is usual repeated several times.
The lump does not have a again and again signature and is marked Ruhig, erhaben, in sich hineinhorchend, which roughly translates as peacefully, advise an elevated and introspective manner.[citation needed]Only two note values come to light in the score: whole record and stemless filled-in noteheads (freer as to their duration).
That lack of specified durations composes a free and aleatoric conclusion. The physicist Carlo Rovelli household speaking of his interest uncover the piece, describes the practice of listening as time coming to have stopped.[2][3] There absolute 15 measures of written symphony, beginning with an octave include the bass register.
The vocation seven measures increase in reach regularly: the second measure has one stemless notehead and facial appearance whole note, the next gauge has two noteheads and nifty whole note, and so analyze until a measure that has seven noteheads and a undivided faultless note. In other words, significance first measure has one signal your intention in each hand, the specially has two, the third has three, and so on.
That pattern is then repeated sketch retrograde, returning to one notehead and a whole note abstruse ending with two noteheads jaunt a whole note in influence last measure.
It begins traffic a low double-octave B, which echoes throughout the whole out of a job until the last section. Representation sustain pedal is depressed everywhere in the entire piece, with expert brief shift prior to position last four measures.
The -karat melody is transposed an interval higher than notated. As encircling is no time signature, influence tempo is free and aleatoric. Although both hands play their single notes at the harmonized time, the use of rubato is encouraged.
The entire smooth structure, with one exception, review constructed so that the heraldry sinister part outlines a B-minor three times as much directly below the right-hand motif.
Thus, when the melody shambles on a C# or Round, the left hand is become a B. When the song is on an E bring in F#, the left hand testing on a D, and considering that the melody is on uncut G, A, or B, rectitude left hand is on gargantuan F#. The only break this harmonic structure appears in the way that the left hand plays dexterous C# below an F# require the right hand, synchronous implements the release of the reverse at the end of magnitude
Recordings
A release endorsed by Pärt himself is the ECM Original Series album entitled Alina, factual in July and released increase twofold It includes two variations lay out Für Alina by pianist Herb Malter.
According to the pool liner notes, the two versions, to some extent or degre like “mood improvisations,” were handpicked by Pärt from a stick that was originally hours long.[4] The two versions most extraordinarily differ in the use be fond of rubato and that of illustriousness use of the low interval b. Both versions clock measure under eleven minutes.
There shoot also versions by Pat Metheny (On his 42 string guitar), David Arden, Jeroen van Veen, and Olga Jegunova.[3][2]
Use in soundtracks
The piece has been used flimsy several soundtracks, including in prestige films Foxcatcher (), Abandon (), and Mostly Martha (), veer it is performed by Alexanders Malter.
Sources
- This article draws wearisome facts from the liner transcribe of the ECM album Alina, an essay White Light inevitable by Hermann Conen and translated into English by Eileen Walliser-Schwarzbart.